Altarpiece
National production where we participate with camera supports to achieve complex shots due to the space where the story unfolds.
Song without name
Peruvian production recorded in black and white with Red Monochrome Dragon 6K (unique in the region). Due to the sensitivity of the camera the light had to be controlled precisely. The camera mounts were also a challenge to achieve the desired shots.
A world for Julius
Peruvian-Spanish co-production recorded with Alexa Mini and Cooke Panchro Classic optics. In addition, he used LED lights such as Luxed Bicolor panels, the Arri L series and camera supports such as the Losmandy jib holder, Doorway Matthews dolly, car mount, etc.
Warrior
Production where we participated with the equipment of lights and camera supports to achieve the dynamism that the shots needed.
The Scared TETA
National production where we contribute with the various camera supports, fundamental for the narrative of the story.
DEATH RACE 2050
International production carried out with the Red Epic W Helium camera and various camera supports to achieve the desired vehicle tracking shots.
Magellan
National production where we contribute with the various camera supports, mainly the car mount.
Grandpa
National production recorded on a road trip where the car camera was the main support to develop the fun plot.
Bantamweight
National production shot in the city of Huancayo with the Red Epic W Helium camera and Cooke Panchro Classic optics, in addition to using LED lights such as Luxed bicolor, Kino select and Astera titan tubes.